# |
Name |
Type |
Disto |
Xform |
Env |
AR |
Reso |
Notes | |
1 |
LP Flange.4 |
LP/comb |
YES |
YES | |||||
2 |
LP FlngBk.4 |
LP/comb |
YES |
YES | |||||
3 |
Flang2.4 |
comb |
YES |
maybe |
YES | ||||
4 |
CubeFlanger |
LP/comb |
maybe |
YES |
resonant LP | ||||
5 |
Flange3.4 |
comb |
maybe |
maybe | |||||
6 |
Flnage4.4 |
LP/comb |
maybe |
YES |
maybe |
YES |
resonant LP | ||
7 |
Flange5 |
comb |
maybe | ||||||
8 |
Flange6.4 |
comb |
maybe | ||||||
9 |
Flange6R.4 |
comb |
identical to 8 as far as I can tell | ||||||
10 |
Flange7.4 |
comb |
maybe |
YES |
maybe |
high freqs are bright, distortion softens it but increases resonance | |||
11 |
BriteFlng.4 |
LP/comb |
maybe |
YES |
YES |
YES | |||
12 |
Flng>Flng1 |
LP/comb |
YES |
YES | |||||
13 |
LP>Flng2 |
LP/comb |
YES |
YES |
Formant-like | ||||
14 |
Flng>Flng3 |
LP/comb |
YES | ||||||
15 |
Flng>FLng4 |
LP/comb |
maybe |
YES |
LP vs comb depends on morph/transform | ||||
16 |
Flng>Flng5 |
LP/comb |
maybe |
YES |
LP is thin and weird | ||||
17 |
Flng>Flng6 |
LP/comb |
maybe |
YES | |||||
18 |
Flng>FlngT |
LP/comb |
maybe |
YES | |||||
19 |
Flng>FlngC |
LP/comb |
maybe |
maybe |
YES |
DISTO |
different flavor; more LP with Morph up | ||
20 |
CO>FlngT |
LP/comb |
YES |
maybe |
YES | ||||
21 |
AEParLPVow |
vowel |
maybe |
a hint of “meow” LP | |||||
22 |
AEParaVow |
vowel |
DISTO | ||||||
23 |
AOLpParaVow |
vowel |
maybe |
maybe |
DISTO | ||||
24 |
AOParaVowel |
vowel |
maybe |
DISTO | |||||
25 |
AUParaVow.4 |
vowel |
maybe |
YES | |||||
26 |
UOParaVow.4 |
vowel |
maybe |
YES | |||||
27 |
SftEOVowl.4 |
vowel |
maybe |
maybe |
YES | ||||
28 |
SoftEOAE |
vowel |
maybe |
not a resonator | |||||
29 |
Vocal Cube |
vowel |
maybe | ||||||
30 |
C1-6Harms.4 |
LP/peak/notch |
YES |
maybe | |||||
31 |
Voce.4 |
BP/vowel |
YES |
YES |
can get wild with distortion (and no envelope) | ||||
32 |
ChoralComb.4 |
comb |
maybe | ||||||
33 |
Basstoi.4 |
vowel |
YES | ||||||
34 |
Be-Ye.4 |
vowel |
YES |
maybe |
not bad as vowels go | ||||
35 |
Ee-Yi.4 |
vowel | |||||||
36 |
Ii-Yi.4 |
vowel | |||||||
37 |
Uhrrrah.4 |
LP/peaks |
maybe |
YES | |||||
38 |
YeahYeah.4 |
vowel |
YES | ||||||
39 |
Vow>Vow1 |
vowel |
YES | ||||||
40 |
Vow>Vow2 |
vowel | |||||||
41 |
YahYahs.4 |
vowel | |||||||
42 |
YoYo.4 |
vowel |
maybe | ||||||
43 |
VowelSpace |
vowel |
DISTO | ||||||
44 |
BrickWaLP.4 |
LP |
YES | ||||||
45 |
BrickWaLP2 |
LP |
maybe |
YES | |||||
46 |
MdQ 2PoleLP |
LP |
YES | ||||||
47 |
HiQ 2PoleLP |
LP |
YES | ||||||
48 |
MdQ 4PoleLP |
LP |
YES | ||||||
49 |
HiQ 4PoleLP |
LP |
YES | ||||||
50 |
2 PoleLoQ.4 |
LP |
YES | ||||||
51 |
4 PoleLoQ.4 |
LP |
YES | ||||||
52 |
4 PoleMidQ.4 |
LP |
YES | ||||||
53 |
2pole>4pole |
LP |
YES | ||||||
54 |
LowPassPLus |
LP/BP/peaks |
maybe |
YES |
distortion gets wild | ||||
55 |
Low Past.4 |
LP/peak |
YES |
maybe |
YES |
limited range, odd sound | |||
56 |
Apass.4 |
LP |
YES |
YES |
LP is subtle, distortion makes it stronger | ||||
57 |
HPSweep.4 |
HP |
maybe |
cutoff doesn’t go low enough! | |||||
58 |
HiSwept1.4 |
BP |
YES |
maybe |
slightly odd bandpass | ||||
59 |
HghSwpt2.4 |
BP |
maybe |
YES |
YES |
Nasal-sounding BP | |||
60 |
Hi Accent.4 |
HP |
YES |
maybe |
obnoxious high-end boost | ||||
61 |
HiPassSwp.4 |
HP |
maybe |
HP morphs to flat; distortion goes crazy | |||||
62 |
DeepCombs.4 |
LP/comb |
YES |
maybe |
YES |
Try env on Morph instead of Freq | |||
63 |
One Peak |
LP |
YES |
YES |
“clank” with fast attack envelopes; some sweet spots with AR Morph mod | ||||
64 |
More Peaks |
LP/peaks |
YES |
more interesting, less clanky | |||||
65 |
Rev Peaks |
LP/peaks |
YES |
maybe | |||||
66 |
Notcher2.4 |
notches |
YES |
YES | |||||
67 |
Ntches2Oct.4 |
notches |
YES |
YES | |||||
68 |
Odd>+ |
comb |
YES | ||||||
69 |
VarSlope.4 |
LP |
REQUIRED |
YES |
cutoff doesn’t go low enough! | ||||
70 |
BassEQ 1.4 |
EQ |
YES |
YES |
maybe | ||||
71 |
B BOOST.4 |
EQ |
REQUIRED |
maybe | |||||
72 |
BassBOOST2.4 |
EQ |
REQUIRED |
maybe | |||||
73 |
BassDrumEQ |
LP |
YES |
YES |
Try transform = cutoff | ||||
74 |
Snare LPEQ2 |
EQ |
generally bad | ||||||
75 |
HiHatLPEQ |
EQ |
REQUIRED |
maybe |
glitches with distortion = fun | ||||
76 |
HP LP PZ |
LP/HP |
YES |
YES |
a useful and great-sounding chameleon | ||||
77 |
PZ Notch |
notch |
YES | ||||||
78 |
Band-aid |
complex |
maybe |
try modulating anything | |||||
79 |
4>2 LowQHiQ |
LP |
YES |
versatile and great-sounding LP | |||||
80 |
Wah4Vib.4 |
LP |
YES |
some “meow” | |||||
81 |
Wa Wa.4 |
peaks |
YES |
YES |
YES |
distortion really changes the character | |||
82 |
BrassRez.4 |
instrument reso |
YES |
maybe |
Can be obnoxious but distortion is fun | ||||
83 |
Clr>Oboe |
instrument reso |
YES | ||||||
84 |
0>Muter |
instrument reso | |||||||
85 |
PZ Syn Horn |
LP/comb |
YES |
DISTO |
can be really pleasant | ||||
86 |
HP Brass |
HP/BR |
YES |
YES |
Can transform to band-reject, high freq HP is glitchy | ||||
87 |
Brassy Blast |
LP |
YES |
YES |
reso bump can be wide and gentle; nice | ||||
88 |
Brass Swell |
LP/peak |
YES | ||||||
89 |
BrsSwell2.4 |
LP |
YES |
YES |
similar to 87 | ||||
90 |
LoVelTrum |
LP/peaks |
YES |
Tight short peaks, very interesting “liquid” LP | |||||
91 |
Chiffin.4 |
LP/notch |
YES |
YES |
YES | ||||
92 |
ShakuFilter |
LP/peaks |
YES |
Formant-like but not my favorite | |||||
93 |
Cym |
resonator |
YES |
really resonant peaks | |||||
94 |
VelMarim |
LP/peaks/low shelf |
YES |
low cut freq can’t be set; leave Freq and Transform at min to use as a warm LP | |||||
95 |
EZ Vibes.4 |
LP |
YES |
YES |
more distortion = nicer LP | ||||
96 |
Piano 1 |
instrument reso |
YES |
Wild variety of peaks, can get lovely with heavy distortion | |||||
97 |
Piano 2 |
LP |
YES |
YES |
YES |
can be very nice | |||
98 |
EZ Rhodes.4 |
LP |
YES |
YES |
YES | ||||
99 |
MoogVocodr.4 |
peaks/notches |
REQUIRED |
YES |
YES |
a difficult game of “find the sweet spots” | |||
100 |
MoogVocSwp |
peaks/notches |
YES |
Can be ugly, but try mixing it with a dry signal or using it on less harmonically rich input | |||||
101 |
StrngThing.4 |
LP/notches |
YES |
maybe |
YES |
YES |
peaks are very bright | ||
102 |
StrSweep.4 |
LP/HP/peaks |
YES |
YES | |||||
103 |
BassXpress |
EQ/notch |
YES |
YES |
claims to increase bass, generally does not | ||||
104 |
Qbase.4 |
HP/notch |
YES |
maybe |
can be OK mixed with dry or with extreme distortion | ||||
105 |
AcGtrRes.4 |
instrument reso |
mostly yuck but can get fun glitches | ||||||
106 |
Tube Sust.4 |
HP/notch |
mostly yuck but can get fun glitches | ||||||
107 |
GtrSkwk |
LP |
YES |
YES |
I resaved this one with distortion set to 70db because it’s much smoother | ||||
108 |
GuitXpress |
peaks/notches | |||||||
109 |
G MajTrans.4 |
resonator |
YES |
YES |
specialist | ||||
110 |
Tam |
resonator |
YES |
YES |
peaks are kind of formant-like, enhanced by distortion | ||||
111 |
HOTwell.4 |
resonator |
YES |
YES | |||||
112 |
Bell Wah A |
resonator |
YES |
DISTO | |||||
113 |
Bell Wah B |
resonator |
YES | ||||||
114 |
0>Bell- |
resonator |
YES |
YES | |||||
115 |
O>Bell+ |
resonator |
YES |
YES | |||||
116 |
Bel>Crs>Bel |
resonator |
YES |
YES |
tends to be very quiet at low transform settings without high distortion | ||||
117 |
Chrs>Flng1 |
LP/comb |
maybe |
really does not sound like chorus | |||||
118 |
Chrs>Flng2 |
LP/comb |
maybe |
really does not sound like chorus | |||||
119 |
Ev/OddNtch.4 |
comb |
YES |
YES | |||||
120 |
Odd/EvnNtch |
LP/comb |
YES | ||||||
121 |
NotchPeaks.4 |
peaks |
YES | ||||||
122 |
LoudBoost.4 |
complex |
YES |
maybe |
YES |
glitch/noise fun with distortion | |||
123 |
Swingshift |
LP/peaks |
YES |
“meow” filter | |||||
124 |
500up.4 |
peaks |
maybe |
might have been interesting if it went lower | |||||
125 |
C1Harmonic |
LP/peaks |
YES |
YES |
harmonic peaks are good for pitch tracking | ||||
126 |
Odd>Even |
peaks/notches |
Harmonic; tune it to sweet spots | ||||||
127 |
0>Shp1 |
vowel |
YES | ||||||
128 |
0>Shp2 |
vowel | |||||||
129 |
0>Shp3 |
LP/vowel |
YES |
YES |
DISTO |
more weighted toward LP sounds than 127/128 | |||
130 |
Shp>Shp1 |
LP/vowel |
YES | ||||||
131 |
Lpeq Vel |
complex |
YES |
can get LP, HP, notch, formant sounds | |||||
132 |
PeakSweep.4 |
LP/comb |
YES |
has fixed comb filter unfortunately | |||||
133 |
PowerSweeps |
comb |
YES | ||||||
134 |
Tsweep.4 |
comb |
YES |
YES |
bright highs, can be glitchy with distortion | ||||
135 |
SweepHIQ.4 |
comb |
YES |
YES | |||||
136 |
V>FcQuad.4 |
LP |
YES |
very resonant, can track V/OCT and envelope Morph | |||||
137 |
Nexus.4 |
LP |
YES |
YES |
YES | ||||
138 |
Krators.4 |
LP |
YES |
maybe |
YES |
YES |
Vocal-sounding, better without envelope | ||
139 |
Harmoinx.4 |
peaks |
NO |
YES |
can get wicked bass along with pings/bandpass | ||||
140 |
GreenWorld.4 |
LP/peaks |
YES |
YES |
YES | ||||
141 |
Comb/Swap.4 |
comb |
YES |
a bit similar to 139 | |||||
142 |
Comb/HP.4 |
HP/comb |
REQUIRED | ||||||
143 |
Swirly |
LP/notch |
YES |
YES | |||||
144 |
Cavatate.4 |
HP/BP/notch |
YES |
YES |
maybe | ||||
145 |
GentleRez.4 |
LP/peak |
YES |
YES |
YES |
YES |
YES | ||
146 |
Bendup/Swap |
LP/comb |
maybe |
peaks can travel opposite to LP | |||||
147 |
Bendup |
LP/peaks | |||||||
148 |
Skweezit |
LP/peaks |
maybe |
Can sound like a mouth harp; try env into both Freq and Morph, or fast LFO in Morph | |||||
149 |
Lo/High.4 |
LP/vowel |
YES |
maybe |
YES |
some sweet spots with distortion | |||
150 |
SubtleMove.4 |
LP/peak/notch |
YES |
maybe |
YES |
YES |
morph notches to peaks; good candidate for dry mix with buzzier input; lovely on triangles with AR mod | ||
151 |
BuzzyPad.4 |
LP |
maybe |
YES |
it’s better on non-buzzy material | ||||
152 |
Bw5kHz+6.4 |
LP |
YES |
YES |
morph moves a resonance, usually best around noon | ||||
153 |
Bw65Hz/2k.4 |
LP/peak |
YES |
YES |
LP morphs to peak, hunt for sweet spots | ||||
154 |
Bw80Hzbw1.4 |
LP/peaks |
YES |
YES |
Sub-audio resonances interact with distortion for stuttering | ||||
155 |
HighsTwist.4 |
HP/peaks |
YES |
mostly yuck | |||||
156 |
Cubix |
LP |
YES |
YES |
fast modulation changes cause clanking | ||||
157 |
HarmSweep.4 |
peaks |
YES |
YES | |||||
158 |
EvenCuts.4 |
LP/comb |
YES |
YES |
YES |
YES | |||
159 |
OddCuts.4 |
LP/comb |
YES |
YES |
YES | ||||
160 |
PWMtrans.4 |
peaks/notches |
YES |
YES |
meh | ||||
161 |
HiEndQ.4 |
LP |
YES |
YES |
YES | ||||
162 |
BroadRes.4 |
comb |
YES |
okay for pings | |||||
163 |
ResoHose.5 |
comb |
meh | ||||||
164 |
HeeghCube |
comb |
YES |
very subtle without massive distortion | |||||
165 |
NoizCube |
comb |
YES |
very subtle without massive distortion | |||||
166 |
VeloctyTilt |
LP |
YES | ||||||
167 |
Syn Wow.4 |
LP |
YES | ||||||
168 |
CombSweep.4 |
comb |
YES |
YES | |||||
169 |
Diffuser.4 |
HP |
YES |
very resonant HP | |||||
170 |
MdlySweep.4 |
LP |
YES |
YES |
YES | ||||
171 |
StrongShimr |
complex |
YES |
YES |
many different shapes | ||||
172 |
Acc. Vel-1 |
LP |
YES |
YES |
very sensitive to input level, transform is volume and hi freqs | ||||
173 |
Acc. Vel-2 |
LP |
YES |
YES |
friendlier than 172 | ||||
174 |
Vel2-Wind |
LP/peak |
YES |
YES | |||||
175 |
Harmo |
peaks |
meh | ||||||
176 |
Start>EndA |
peaks |
YES |
YES |
OK for quasi-BP/resonator white noise | ||||
177 |
Start>EndB |
peak | |||||||
178 |
MovingPick1 |
instrument reso |
meh | ||||||
179 |
MovingPick2 |
instrument reso |
meh | ||||||
180 |
Mph+Trns1 |
vowel |
YES |
YES |
YES | ||||
181 |
0>Odds |
peaks |
YES |
YES |
good for weird resonances/distortion (even with distortion at -30); freq and morph seem swapped | ||||
182 |
Comb Voices |
LP/notches/BR |
YES |
YES |
YES | ||||
183 |
Odd-Ev Hrm |
peaks/notches |
YES |
YES | |||||
184 |
OddHm+rez |
LP/comb |
YES | ||||||
185 |
EnvHm+rez |
LP/comb |
YES | ||||||
186 |
MellowPeaks |
LP/peak |
YES | ||||||
187 |
AhmBnd.4 |
LP/peaks |
|
YES | |||||
188 |
Vintage |
LP |
YES |
YES | |||||
189 |
MildQPole |
LP |
YES |
YES |
AR mod is better with less Q | ||||
190 |
Bonk>CO |
LP/comb |
YES | ||||||
191 |
Speaker |
EQ | |||||||
192 |
Expander |
EQ | |||||||
193 |
Separator |
instrument reso |
Unpleasant metallic resonance | ||||||
194 |
MildPolSwap |
LP |
YES | ||||||
195 |
PoleCross.4 |
LP/peak |
maybe | ||||||
196 |
ApDistB6.4 |
distortion |
YES |
maybe |
Mid-blasting distortion | ||||
197 |
Dave’sRave |
peak/notch |
YES |
try cranking up the input gain | |||||
198 |
Poles 1-7 |
LP |
YES | ||||||
199 |
2 Poles |
LP |
YES | ||||||
200 |
4 Poles A |
LP |
YES |
YES | |||||
201 |
4 Poles B |
LP |
YES |
YES |
YES |
AR Morph mod is stronger with distortion and low cutoff freqs | |||
202 |
4 Poles C |
LP |
YES | ||||||
203 |
6 Poles |
LP |
YES |
YES |
AR morph mod is stronger at low cutoff freqs | ||||
204 |
Multipole |
LP |
YES |
YES |
AR morph mod is stronger at low cutoff freqs | ||||
205 |
Tracker |
LP |
YES |
YES |
glitchy and easily excited by motion; AR mod is wild | ||||
206 |
Tracker 2 |
LP |
maybe |
Reso LP meant for pitch tracking | |||||
207 |
Tracker 3 |
LP/comb |
maybe |
patch pitch CV to Morph for comb tracking | |||||
208 |
Tracker5ths |
LP/comb |
YES |
YES |
patch env to Transform, track comb pitch with Freq | ||||
209 |
InFifths.4 |
LP/comb |
maybe |
clanky with fast envelope attacks | |||||
210 |
HarmTracker |
peaks | |||||||
211 |
1BndPrmtrcA |
LP/HP/notch |
maybe | ||||||
212 |
1BndPrmtrcB |
LP/HP/notch |
YES |
YES |
maybe |
glitch monster! | |||
213 |
1BndPrmtrcC |
LP/HP/notch |
YES |
YES |
maybe |
glitchy | |||
214 |
1BndPrmtrcD |
LP/HP/notch |
maybe | ||||||
215 |
MltiMetricA |
LP/comb | |||||||
216 |
MltiMetricB |
LP/comb |
YES |
YES | |||||
217 |
MltrMetricC |
LP/comb |
maybe | ||||||
218 |
OmniMetric |
HP/comb |
YES | ||||||
219 |
HarmncPeaks |
LP/peaks |
YES |
maybe |
try env into Transform | ||||
220 |
HarmncPeaks2 |
LP/peaks |
YES |
maybe |
try env into Transform | ||||
221 |
InHarMetric |
peaks |
YES |
YES | |||||
222 |
HarmShifter |
notches |
maybe |
DISTO | |||||
223 |
HarmShiftr2 |
peaks/notches |
REQUIRED |
maybe |
DISTO |
heavy distortion needed | |||
224 |
HarmShiftr3 |
peaks/notches |
needs distortion or AR mod to be interesting, but it easily goes to silence/clicks | ||||||
225 |
Phaser |
comb |
maybe |
YES | |||||
226 |
HrmncPhaser |
comb |
maybe | ||||||
227 |
HrmncPhaser |
comb |
YES |
maybe |
YES | ||||
228 |
Wide Bands |
comb |
YES |
maybe |
maybe | ||||
229 |
New Boost |
LP |
YES | ||||||
230 |
VowelSpace2 |
vowel | |||||||
231 |
VowelSpace3 |
vowel | |||||||
232 |
Oh Shaper |
vowel |
YES |
maybe |
DISTO | ||||
233 |
Ah Shaper |
vowel |
YES |
YES | |||||
234 |
Oo Shaper |
vowel |
YES |
DISTO | |||||
235 |
FrmntShaper |
peaks/notches |
resonances are fixed, I can’t find much use for this | ||||||
236 |
Piano LP.4 |
instrument reso |
YES |
YES |
pitch changes excite resonance, so it’s probably best for drones | ||||
237 |
PianoSndBrd |
instrument reso | |||||||
238 |
Strike Cube |
LP |
maybe |
YES |
YES |
Try env or AR in morph or transform too | |||
239 |
Clav Curves |
instrument reso |
maybe | ||||||
240 |
Symphony |
LP/comb |
YES |
YES |
YES |
another lowpass that doesn’t go low enough | |||
241 |
String Cube |
instrument reso | |||||||
242 |
Swell Cube |
LP/peak |
YES |
YES | |||||
243 |
Quartet.4 |
LP |
YES |
YES | |||||
244 |
Mellotron.4 |
instrument reso |
may be useful for “lo-fi speaker” filter | ||||||
245 |
Cello |
instrument reso |
maybe |
YES |
YES |
distortion is better for fixed frequencies | |||
246 |
Key Squeak |
LP |
YES |
morph lo/xform hi to eliminate clank | |||||
247 |
Pluck.4 |
LP |
maybe |
YES | |||||
248 |
Pick It |
LP/peak/notch |
maybe |
maybe |
DISTO |
some sweet bell-like ringing with distortion if you’re lucky | |||
249 |
El Pick It |
LP/peaks |
YES |
YES |
YES | ||||
250 |
ElGuit Cube |
LP |
maybe |
YES | |||||
251 |
ElGuit Pick |
BP | |||||||
252 |
Breather 1 |
instrument reso | |||||||
253 |
Breather 2 |
LP/peak |
maybe |
only if you want a dark LP or “bonk” | |||||
254 |
WindNoise 1 |
comb |
YES |
distortion causes dropouts | |||||
255 |
WindNoise 2 |
comb |
YES |
distortion causes dropouts | |||||
256 |
Blow Cube |
comb |
YES |
maybe |
YES | ||||
257 |
Overblow |
LP/notch |
YES |
YES |
Lovely with softer timbres and the gain pushed a little | ||||
258 |
Wind Filter |
LP/notches |
YES | ||||||
259 |
FlutBreth.4 |
peak/notch |
YES |
YES |
disable Xform Controls Distortion and use AR mod Freq or Xform | ||||
260 |
VClarinet.4 |
LP |
YES |
YES |
YES | ||||
261 |
New Mute.4 |
instrument reso |
YES |
YES |
YES |
AR interacts with distortion in cool ways | |||
262 |
Trempeto.4 |
LP |
YES |
YES |
YES | ||||
263 |
SfBrzando.4 |
notch |
YES |
YES |
YES | ||||
264 |
UduFilter.4 |
LP |
YES |
YES | |||||
265 |
Hip Kick |
LP |
YES |
YES |
YES | ||||
266 |
Cymbal Cube |
comb |
YES |
YES |
DISTO | ||||
267 |
ChimeFlange |
comb |
YES |
YES | |||||
268 |
CableRing.4 |
comb |
YES |
YES |
DISTO | ||||
269 |
TensionWire |
notches |
YES | ||||||
270 |
Auto Clang |
HP/notches |
YES |
YES |
Try LFO on Morph & crank the distortion | ||||
271 |
Dragon Claw |
HP/notches |
YES |
YES |
YES |
AR is best on Transform | |||
272 |
Spectra |
LP/comb |
YES |
YES |
try env to Morph, AR to Freq or Morph | ||||
273 |
RippleSheet |
LP/HP |
YES |
YES |
Make sure distortion is -30db. Slightly mistuned AR to Morph or Xform gives a nice “vibe” effect | ||||
274 |
Clear Water |
peaks |
maybe |
adds high freq noise; steppy changes or noise to Transform excite ringing | |||||
275 |
Invisible |
peaks |
YES |
extremely subtle; stepped modulation or AR to freq can excite it | |||||
276 |
Wine Glass |
peak/notch |
YES |
maybe |
extremely subtle but excited by motion/steps (to Morph) | ||||
277 |
SnakeCros.4 |
peaks |
YES |
adds noisy resonances mostly in higher ranges; excited by motion | |||||
278 |
Analog.4 |
LP |
YES |
YES | |||||
279 |
Sktrch Cube |
LP/BR |
YES |
YES |
LP (Xform) with wide band-reject (Freq) | ||||
280 |
KitchenSink |
complex |
maybe |
AR or distortion can cause it to permanently freak out until a new cube is loaded | |||||
281 |
Head Pan 1 |
complex |
maybe |
kind of an LP with peaks but Freq acts mainly as a volume control…? | |||||
282 |
Head Pan 2 |
complex |
maybe |
kind of an LP with peaks but Freq acts mainly as a volume control…? | |||||
283 |
Arpeggio |
peaks |
Chord-tuned resonances; turn up Morph to change inversion; AR to Morph or Xform emphasizes different notes | ||||||
284 |
HeavyFilt.4 |
complex |
maybe | ||||||
285 |
Noize Cube 2 |
HP/peaks | |||||||
286 |
Feedback |
low shelf/BP/HP |
maybe |
BP has very high Q |